Talking about Tony Conigliaroby Bruce Markusen
February 17, 2012
There have been few tragedies like that of Tony Conigliaro. By the age of 22, he had already hit 104 home runs and seemed on course to become one of the all-time great sluggers. But on Aug. 18, 1967, he couldn't elude a high, inside Jack Hamilton fastball. The ball hit Conigliaro flush in the face, badly damaging his left eye and forcing him to miss the balance of the 1967 season and all of 1968.
Four years later, he gallantly attempted a comeback with the Red Sox, but his body betrayed him, once again forcing him to call it quits.
In 1980, after interviewing for a TV broadcasting job, Conigliaro suffered a heart attack and fell into a coma. Unable to recover and lead a normal life, Conigliaro was put into the care of his family. He died eight years later, at the age of 45.
The travails and tragedies of Tony Conigliaro are dramatically and skillfully told in the new book, The Tony Conigliaro Story, written by Bruce Fitzpatrick. A screenwriter and author, Fitzpatrick tracks Conigliaro's life with special emphasis on his childhood and his struggles after the bean ball incident. Earlier this week, I talked to Fitzpatrick about Tony C.
Markusen: Bruce, I’ve enjoyed reading your book. It is not written like most baseball histories, but presented more like a novel, with lots of dialogue. You include long conversations as if you were right there in the room. Were you able to re-create these conversations through interviews with the family, or did you have to take some liberties and make educated guesses as to what was being said?
Fitzpatrick: As the acknowledgements in the book will attest, I did extensive interviews with everyone listed there. Everything was either videotaped or tape recorded. By doing that, I got a really intimate view of Tony, his personal and family life, where he came from, the environment in which he was raised, and his life as a professional baseball player. I took no liberties or poetic license. Everything there happened as presented&mash;or as close to it as I could get, using a dramatic format.
Markusen: After Conigliaro broke up with his girlfriend, Julie, she began to date Hawk Harrelson. Was there tension between Tony and Harrelson because of this?
Fitzpatrick: There was no direct tension between Tony and Hawk because they never played actively at the same time. It did pain Tony to see him with Julie - who I believe was the love of his life, and he hers—and who had also inherited his job with the team. Neither Tony nor Julie ever married, and as a close friend of hers I can safely say that even now she’s still Tony’s girl. We even visited Tony’s and his parents’ gravesites together.
That was a powerful experience to put it mildly. She still has the more than 200 letters he wrote her, along with a lot of personal and professional memorabilia from their life together and his playing days in pro ball. I feel safe in saying that they were truly soul mates.
Markusen: The beaning from Jack Hamilton is perhaps the first thing that comes to mind when recalling Conigliaro’s story. Do you think that the outcome might have been different if Conigliaro was wearing a helmet with an earflap?
Fitzpatrick: Tony was wearing a helmet the night he was hit. But when watching the replay from an overhead camera in the broadcast booth, it clearly shows that Tony’s helmet was in the strike zone over home plate when he got hit. Part of Tony’s game as a power hitter was to crowd the plate and force pitchers to pitch to him—or walk him. Any other player in a normal stance would have been a step or two back from the plate, and would likely not have been hit by the same pitch.
Two weeks before the inciden,t Ted Williams had warned him about his stance, but Tony chose to maintain his normal position when at bat. However, the addition of an ear flap to batting helmets was a direct result of that beaning and his personal campaign to add the ear flap.
Markusen: Why do you think Red Sox manager Dick Williams chose not to visit Conigliaro in the hospital after the beaning?
Fitzpatrick: That was never really clear. They had a thinly veiled hostility between them, partly as a personality conflict, and partly the result as a mutual beaning incident in Tony’s rookie year when he and Williams traded bean balls. Williams missed; Tony didn't, and dropped Williams. I think an element of resentment may have lingered.
Markusen: Given the seriousness of the injuries that Conigliaro suffered because of the beaning, is it surprising to you that he came back and enjoyed the kind of season that he did with the Red Sox in 1970?
Fitzpatrick: Actually, he came back in 1969 and won the Comeback Player of the Year Award. What most people don’t know is that he [came back] with impaired vision. The sight in his injured eye never quite came back fully. He'd have to look slightly to the left of the pitcher to pick up the ball after it was released. Quite an accomplishment.
Markusen: Over the years, we’ve heard a lot about the division in the Red Sox clubhouse, with Tony and his brother Billy on one side and Carl Yastrzemski and Reggie Smith on the other side. How deep was this rift, and was it irreparable?
Fitzpatrick: I did some research on the much-publicized friction between them, and my conclusion is that it was more publicized that real. That really became apparent when I did my one-on-one, hour-long interview with Carl Yastrzemski. He readily acknowledged their competitiveness, and also readily acknowledged that without it they wouldn't have made it to the ‘67 World Series at the end of The Impossible Dream Year.
He also stated emphatically that had Tony been able to play in that Series they would have been popping champagne corks in the Red Sox locker room instead of St. Louis'. When asked what he might say to Tony if Tony were to walk into the room for 60 seconds, he paused for a moment to gain control over his emotions, and then proceeded to give one of the greatest testimonials to a competitor that I've ever heard. Carl’s a class act, and genuinely regrets what happened to Tony.
Markusen: In 1971, Tony became part of a nightmarish situation with the Angels, a team that was disrupted by the Alex Johnson situation. How much did that poisonous atmosphere affect Conigliaro?
Fitzpatrick: Actually, the environment on the Angels’ team had little to do with Tony’s decision. Simply put, he missed playing in front of the home town fans at Fenway Park. In essence, it put the fire out. What few are aware of, however, is that his passion for baseball—and maybe a reservation about whether or not he was done for good—was demonstrated when Al Ruddy asked him to audition for a movie role they had in mind for him.
He graciously declined, stating that his heart was still in baseball. So Ruddy went out and got another up-and-coming Italian for the job. Who was that you ask? How about Al Pacino for the role of Michael in The Godfather. True story. For his part, Tony opened up a night club to pursue a singing career.
Markusen: Why do you think Conigliaro tried to make another comeback with the Red Sox in 1975?
Fitzpatrick: As stated, Tony never really let go of his notion to play again. When the Angels gave him his outright release, the Red Sox gave him his chance. By then, the American League had adopted the new designated hitter position. Tony tried out for it, and won the job. Who did he beat for the position? Someone who had just joined the team—a rookie by the name of Jim Rice.
Markusen: There were so many disappointments and difficulties for Conigliaro. How big of a disappointment was it for him to miss out on the 1975 American League pennant and that historic World Series that came with it?
Fitzpatrick: By midseason 1975 Tony’s body had begun having difficulties with his accustomed training regimen. Feeling he didn't have what he needed (or wanted), he left the team and professional baseball in July 1975. What might have happened had he been able to play a full 12-14 year career? In addition to becoming a Hall Of Fame inductee, he’d likely have been a threat to the all-time home run record. He reached the 100-mark six years ahead of Babe Ruth, five years ahead of Hank Aaron, and seven years ahead of Carl Yastrzemski.
What most people don't know is that he averaged 25-30 games a year on the bench with injuries due to his aggressive style of play in the field, i.e. running into barriers while chasing fly balls, etc.
Markusen: The story of how Conigliaro suffered a heart attack while on his way to a job interview is especially tragic. If he hadn’t suffered the heart attack, if he had gotten the job, how do you think he might have fared as a Boston broadcaster?
Fitzpatrick: I think Tony would have done a great job. In addition to his insights as a player, he had already gotten broadcast experience in Rhode Island and San Francisco. Add to that the passion he had for the game....
As for the heart attack, that actually happened after he’d been awarded the job by Joe Dimono, GM for station WSBK, the anchor station for the Red Sox broadcast network. Tony’s heart attack came on his way to the airport when he was headed out of town to complete a business trip, and to close out his affairs on the West Coast.
Markusen: How well is Conigliaro remembered in Boston today?
Fitzpatrick: Tony’s an icon in Boston, New England, and points south and west wherever people know of him. And of those there are many. Other than Babe Ruth, he was, I believe, the most charismatic player who ever donned a Red Sox uniform. He was—and still is—a hometown hero. The beloved “Tony C” will be remembered and spoken of highly around Boston for as long as there’s baseball in Boston. And that, we hope, is going to be a long, long time....
Published by CreateSpace, The Tony Conigliaro Story can be obtained at http://www.createspace.com/3738481. It is highly recommended, particularly for members of Red Sox Nation.
Bruce Markusen is the author of seven books on baseball, including the award-winning A Baseball Dynasty: Charlie Finley’s Swingin’ A’s, the recipient of the Seymour Medal from the Society for American Baseball Research. He has also written The Team That Changed Baseball: Roberto Clemente and the 1971 Pittsburgh Pirates, Tales From The Mets Dugout, and The Orlando Cepeda Story.